Every week, Tommy will excerpt a handful of stories - old and new, sports and otherwise, relevant and merely sublime - that he urges you to read for one reason or another. Today, I'm filling in. Still, send suggestions: firstname.lastname@example.org.
"Kentucky: May: Saturday," by William Faulkner (from Sports Illustrated, 1955)
Suggested readers: Racing enthusiasts who are stuck at home instead of smelling the roses, Faulknerphiles, those obsessed with Roger Sterling in blackface.
This saw Boone: the bluegrass, the virgin land rolling westward wave by dense wave from the Allegheny gaps, unmarked then, teeming with deer and buffalo about the salt licks and the limestone springs whose water in time would make the fine bourbon whiskey; and the wild men too-the red men and the white ones too who had to be a little wild also to endure and survive and so mark the wilderness with the proofs of their tough survival-Boonesborough, Owenstown, Harrod's and Harbuck's Stations; Kentucky: the dark and bloody ground.
And knew Lincoln too, where the old weathered durable rail fences enclose the green and sacrosanct pace of rounded hills long healed now from the plow, and big old trees to shade the site of the ancient one-room cabin in which the babe first saw light; no sound there now but such wind and birds as when the child first faced the road which would lead to fame and martyrdom-unless perhaps you like to think that the man's voice is somewhere there too, speaking into the scene of his own nativity the simple and matchless prose with which he reminded us of our duties and responsibilities if we wished to continue as a nation.
And knew Stephen Foster and the brick mansion of his song; no longer the dark and bloody ground of memory now, but already my old Kentucky home.
"Horseman, Pass By," by John Jeremiah Sullivan (from Harper's, 2002)
Suggested readers: Everyone.
A sportswriter gets used to people coming up to him in restaurants or at PTA meetings and taking issue with something he said in a column or on some call-in show. And my father was sensitive to the slightest criticism — really the slightest mention — of his writing, almost to the point of wincing, which may have stemmed from his having come to the job somewhat backward. As opposed to the typical sportswriter, who has a passion for the subject and can put together a sentence, my father's ambition had been to Write (poetry, no less), and sports were what he knew, so he sort of stumbled onto making his living that way. When the alternative weekly paper in Columbus, Ohio — where we moved when I was twelve so he could take a job writing for the Columbus Dispatch — started running a regular column entitled "The Sully," in which they would select and expand upon what they felt co be my father's most bizarre sentence from the previous week (e.g., "'Second base is still an undefined area that we haven't wrapped our arms around,' Tribe general manager John Hart said, sounding very much like a man about to have his face savagely bitten"), we were amazed by his pained reaction. The compliment behind the teasing would have heen plain to anyone else, but he would not have the thing in the house.
Two years ago, in May, I sat with him in his hospital room at Riverside Methodist, in Columbus. He was in recovery from what was supposed to have been a quintuple bypass operation but became, on the surgeon's actually seeing the heart, a sextuple bypass. There had, in the preceding year, already been the aneurysm surgery, then the surgery (unsuccessful) to repair the hernia caused by the aneurysm surgery. "My succession of infirmities," as he put it to me in a letter, "has tended finally to confront me with blunt intimations of mortality." Otherwise it was not a morbid scene. The last operation had gone well, and he seemed to be feeling better than he had any right to. The waning sedative and, I suppose, twenty-four hours without cigarertes had left him edgy, but he was happy to talk, which we did in whispers, because the old man with whom he was sharing a room that night had already gone to sleep.
I asked him to tell me what he remembered from all those yeats of writing about sports, for he had seen some things in his time: Michael Jordan at North Carolina, a teenage John McEnroe, Bear Bryant, the Big Red Machine in Cincinnati. This is what he told me:
I was at Secretariat's Derby, in '73, the year before you were born — l don't guess you were even conceived yet. That was ... just beauty, you know? He started in last place, which he tended to do. I was covering the second-place horse, which wound up being Sham. It looked like Sham's race going into the last turn, I think. The thing you have to understand is that Sham was fast, a beautiful horse. He would have had the Triple Crown in another year. And it just didn't seem like there could be anything faster than that. Everybody was watching him. It was over, more or less. And all of a sudden there was this ... like, just a disruption in the corner of your eye, in your peripheral vision. And then before you could make out what it was, here Secretariat came. And then Secretariat had passed him. No one had ever seen anything run like that — a lot of the old guys said the same thing. It was like he was some other animal out there . . .
I wrote that down when I got back to my father's apartment, where my younger sister and I were staying the night. He lived two more months, but that was the last time I saw him alive.
"Pure Heart," by William Nack (from Sports Illustrated, 1990)
Suggested readers: Anyone with a heart and a spare tissue. Maybe, you Barbaro people. Maybe.
I sank back in my chair. "I'm not ready for this," I told him.
"How do you think I feel?" he said. "Ten thousand people come to this farm every year, and all they want to see is Secretariat. They don't give a hoot about the other studs. You want to know who Secretariat is in human terms? Just imagine the greatest athlete in the world. The greatest. Now make him six foot three, the perfect height. Make him real intelligent and kind. And on top of that, make him the best-lookin' guy ever to come down the pike. He was all those things as a horse. He isn't even a horse anymore. He's a legend. So how do you think I feel?"
Before I left I asked Hancock to call me in Lexington if he decided to put the horse down. We agreed to meet at his mother's house the next morning. "By the way, can I see him?" I asked.
"I'd rather you not," he said. I told Hancock I had been to Robinson's house the day before, and I had seen Secretariat from a distance, grazing. "That's fine." Hancock said. "Remember him how you saw him, that way. He doesn't look good."
Secretariat was suffering the intense pain in the hooves that is common to laminitis. That morning Anderson had risen at dawn to check on the horse, and Secretariat had lifted his head and nickered very loudly. "It was like he was beg-gin' me for help," Anderson would later recall.
I left Claiborne stunned. That night I made a dozen phone calls to friends, telling them the news, and I sat up late, dreading the next day. I woke up early and went to breakfast and came back to the room. The message light was dark. It was Wednesday, Oct. 4. I drove out to Dell Hancock's place in Paris. "It doesn't look good," she said. We had talked for more than an hour when Seth, looking shaken and pale, walked through the front door. "I'm afraid to ask," I said.
"It's very bad," he said. "We're going to have to put him down today."
"The Kentucky Derby is Decadent and Depraved," by Hunter S. Thompson (from Scanlan's Monthly, 1970)
Suggested readers: Rabblerousers with mint juleps in arm's reach.
The next day was heavy. With only thirty hours until post time I had no press credentials and—according to the sports editor of the Louisville Courier-Journal—no hope at all of getting any. Worse, I needed two sets: one for myself and another for Ralph Steadman, the English illustrator who was coming from London to do some Derby drawings. All I knew about him was that this was his first visit to the United States. And the more I pondered the fact, the more it gave me fear. How would he bear up under the heinous culture shock of being lifted out of London and plunged into the drunken mob scene at the Kentucky Derby? There was no way of knowing. Hopefully, he would arrive at least a day or so ahead, and give himself time to get acclimated. Maybe a few hours of peaceful sightseeing in the Bluegrass country around Lexington. My plan was to pick him up at the airport in the huge Pontiac Ballbuster I'd rented from a used-car salesman name Colonel Quick, then whisk him off to some peaceful setting that might remind him of England.
Colonel Quick had solved the car problem, and money (four times the normal rate) had bought two rooms in a scumbox on the outskirts of town. The only other kink was the task of convincing the moguls at Churchill Downs that Scanlan's was such a prestigious sporting journal that common sense compelled them to give us two sets of the best press tickets. This was not easily done. My first call to the publicity office resulted in total failure. The press handler was shocked at the idea that anyone would be stupid enough to apply for press credentials two days before the Derby. "Hell, you can't be serious," he said. "The deadline was two months ago. The press box is full; there's no more room...and what the hell is Scanlan's Monthly anyway?"
I uttered a painful groan. "Didn't the London office call you? They're flying an artist over to do the paintings. Steadman. He's Irish. I think. Very famous over there. Yes. I just got in from the Coast. The San Francisco office told me we were all set."
He seemed interested, and even sympathetic, but there was nothing he could do. I flattered him with more gibberish, and finally he offered a compromise: he could get us two passes to the clubhouse grounds but the clubhouse itself and especially the press box were out of the question.
"That sounds a little weird," I said. "It's unacceptable. We must have access tp everything. All of it. The spectacle, the people, the pageantry and certainly the race. You don't think we came all this way to watch the damn thing on television, do you? One way or another we'll get inside. Maybe we'll have to bribe a guard—or even Mace somebody." (I had picked up a spray can of Mace in a downtown drugstore for $5.98 and suddenly, in the midst of that phone talk, I was struck by the hideous possibilities of using it out at the track. Macing ushers at the narrow gates to the clubhouse inner sanctum, then slipping quickly inside, firing a huge load of Mace into the governor's box, just as the race starts. Or Macing helpless drunks in the clubhouse restroom, for their own good...)