Next SI cover story: Water is wet.
The Giants don't seem to mind if Pat Burrell takes care of business.
Nice touch that Ryan McFadyen introduced her to one of these upstanding gentlemen. I bet he came in his Duke lacrosse spandex after doing so.
Apparently the LVPD are the only thing that Mayweather can't get a unanimous decision victory by running from.
@norbizness: Adopted? They just retained the playbook from the last couple decades.
Michigan should send Denard Robinson back to Kindergarten, Billy Madison style, so he learns to tie his fucking shoes.
This should obviously be settled via dance-off. And it's obvious who would win: [deadspin.com]
Next thing you know, he'll blame the whole thing on his sex addiction. [www.washingtonpost.com]
@PixiePie: Pretty much. That's what was so confounding.
@casi nadie (é o português de Curly Crown): A wise man once said, "It's one thing to have sex with a monkey; it's another thing to enjoy it."
@Janie Jones: Holy shit, that was AWESOME!!!!!
@MarissaExplainsItAll: If someone ever calls me "Boo," one should alert the proper authorities because it means I have died and am now a ghost.
@ana_hartpence: That's a good question, and one that I don't really have a good ballpark figure for. It's weird, while I haven't been in a relationship since probably the dawn of time, in the last few ones I did have, I was the one who brought it up.
@ana_hartpence: Have you ever hooked up sober? If so, you're probably on the right track. If not, probably not.
@Remedios Varo can't see no huevos.: Ha! When I moved to Chicago almost 7 years ago now, one of my first questions was, "What the fuck is mastaccioli?"
@AJ: Farley Granger really brings the overtones in all his Hitchcock films.
@ValSilph: Ten Little Indians (now called And Then There Were None). I think it has the most death per page of any of her books.
@anabacus: As much as I love to bash satc, that actually makes sense, since everyone is the main character in their own story.
@poires et poireaux: Requiem For a Dream.

Wait, that's not what that film's about?

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