Michael Sragow’s review of the director’s cut of Once Upon a Time in America appeared in the March 5, 1985 edition of The Boston Phoenix and appears here with the author’s permission.
A Siegel Film, Don Siegel’s account of his life as a film director is an entertaining and instructive guide to making movies. I especially like the section about Siegel’s experience working with Walter Matthau on Charley Varrick.
Thanks to the essential weekly newsletter, The Sunday Long Read (compiled with taste and care by Don Van Natta Jr. and Jacob Feldman), I found Alex Bilmes’ excellent British Esquire interview with Paul McCartney:
Ah, now this looks like it’s worth your time. Nicholas Dawidoff’s New York Times Magazine profile of the great Robert Frank:
...goes to A Tribe Called Quest.
I was ten when Jurassic Park roared across the screen in the summer of 1993. I couldn’t wait for it. Both National Geographic and TIME ran dinosaur cover-stories leading up to the release, celebrating the new image of “hot-blooded” saurians set to make box-office records. In the week leading up to the movie, I finally…
David Ochsner is reading every issue of The New Yorker. He’s got a blog about it, A New Yorker State of Mind. It’s my favorite new site. Dig in.
A few days ago I curated the following essay by Charles Simic on Buster Keaton over at the Daily Beast. Check it out, won’t you?
Little Boy Blues is Malcolm Jones’ beautiful memoir about growing up with his mother (and sometimes, his father) in North Carolina in the late Fifties and early Sixties. It’s my favorite kind of memoir—understated, succinct, honed. The prose is precise without being delicate: “My father was a quiet man. If he put…
Head on over to Grantland and check out their Errol Morris week. And while you're at it, dig Brin-Jonathan Butler's excellent Kindle Singles interview with Morris:
A few years ago Wilfred Santiago gave us a beautiful comic book about the life of Roberto Clemente. Now, Santiago is back with Michael Jordan: Bull on Parade. Yet another sure shot from the great publisher, Fantagraphics.
My father was born and raised in New York City. He idolized, among others, Sid Caesar, Walt Kelly, and Adlai Stevenson. As his son, I campaigned for Mondale/Ferraro when I was in the 8th grade, drew anti-Reagan political cartoons for my social studies class, and hung a huge Keith Haring "Free South Africa" poster in…