The Professional Is Deeply Problematic, Profoundly Cool, And Very '90s

Imagine the elevator pitch for The Professional. “Okay, so we’ve got this hitman, right? Only he’s not a cool hitman: He’s great at killing, but he’s also childlike, off-kilter, possibly on the spectrum. He doesn’t really have any friends or talk to anyone outside of ‘work.’ We’ll make sure he doesn’t speak English… »5/15/15 12:03pm