Teófilo Stevenson won his first Olympic gold medal in 1972 and his last world amateur championship in 1986. He won 302 fights and once went an unbelievable 11 years without a loss. Had Cuba not boycotted the 1984 Summer Olympics, many think Stevenson would have won an unmatched four gold medals in boxing. Stevenson had already flattened the eventual 1984 gold medalist Tyrell Biggs twice.
An offer to fight Muhammad Ali came after Stevenson won his second Olympic gold in Montreal in 1976. Stevenson was at his peak. The world had never seen a heavyweight with the tools Stevenson brought into the ring. He was bigger (6'5", 220 pounds) and deadlier than George Foreman, yet boxed with effortless grace and intelligence. Prior to Montreal, Stevenson had demolished every opponent that stood before him, relying on one of the most lethal right hands ever seen in boxing.
American promoters offered him five million dollars to turn pro and challenge Muhummad Ali. He refused.
He said of the offer, "What is one million dollars compared to the love of eight million Cubans?"
Stevenson died at the age of 60 in Havana on June 11.
* * *
I traveled to Cuba with the intention of speaking with boxers who had turned down enormous offers to leave. When explaining my project to people, again and again I was met with amusement and skepticism. I heard the same sentiment repeated everywhere I looked for fighters: "Something must be wrong with you. The only journalists who come here for a story are looking at why we leave."
Which makes sense. That very common journalistic approach argues against Cuba's values and attempts to undermine them. But I wasn't interested in that side of the story. Anyone can see why an elite athlete would want to leave a small, impoverished country where their skills were effectively uncashed winning lottery tickets. All they had to do was wash ashore almost anywhere else in the world and cash in. Yet the vast majority of Cuban boxers—and Cuban athletes in general—despite that incentive, stayed.
Was the decision to stay in Cuba honest? Could anyone, let alone an Olympic champion, turn down that much money without being either brainwashed or afraid for their lives or the lives of loved ones if they defected? I wanted to speak to the people themselves who had faced down that decision and lived with the consequences.
When I interviewed Teófilo Stevenson in his modest house—often reported as a mansion that Fidel Castro gave him—in a leafy Havana neighborhood, I asked him why he stayed.
"If people cannot understand how someone can turn down millions of dollars for a matter of principle, who seems brainwashed to you?"
"Forget the money then. As a competitor, don't you wish you ever had a chance to fight the best from your time?"
Stevenson pointed to a portrait of himself and Ali on his wall from Ali's 1998 humanitarian visit to the island.
"You mean my brother?"
The physical similarity between Ali and Stevenson is downright spooky.
"Don't you wish you'd had a chance to fight Ali?" I asked.
"How could I fight my brother?" he smiled, signaling for me to turn off the cameras so he could have a cigarette break.
In the trailer of my film Split Decision, which profiles boxers like Stevenson who stayed, and some who left Cuba, I used a famous photo of a young Muhammad Ali sitting on a million dollars inside a bank vault, and another of Mike Tyson spreading out enormous amounts of cash inside his hands at a Don King-helmed press conference. The Cuban counterparts of those fighters, Teófilo Stevenson and Felix Savon, were being offered those same stacks of money.
But these men chose to become boxers before the money was spread out before their eyes. Their desire to fight goes deeper.
I interviewed Mike Tyson for my film. I asked him about a time early in his career when he had tearfully told a reporter that he missed fighting "when it wasn't just all about money."
I asked Tyson what it was that he was fighting for before it was money.
More stories you might like from The Classical.
• John Rocker's Notes From the Underground
• Glory, Glory for a Man, for United
• Infographics for the Whole Family: NBA Finals Edition
• On Love and Giving a Shit: A Theory of Sports
• Marathon Crasher
• Four-Base Error: The Bad and Less-Bad Things About the Worst Baseball Article Ever
"My mother was dead before I was 16. I'm the son of a pimp and an alcoholic. But if I ever brought anything home of value into my mother's house, she knew I'd stolen it. I never saw her proud of me in my entire life. Not once. And somewhere, somewhere I always had that in my mind. I was fighting to make this woman who caused me more pain than anyone in my life... " Tyson cleared his throat and wiped his face a couple times. "Deep down I was always fighting to make this woman... I wanted to make this woman proud of me. That's what I was always fighting for."
So how much is that worth?
* * *
Muhammad Ali, a man adept at finding weakness in his opponents and cruelly exploiting it to his own advantage, never saw weakness in Teófilo Stevenson's stand against turning professional and facing him. He never saw weakness in a boxer rejecting millions because of something he believed in.
Instead, in visits in 1996 and 1998, Ali donated over $1.7 million worth of medical aid to Cuba as a way of opposing the economic embargo against the island nation and to help alleviate the brutal economic crisis of that decade. Teófilo Stevenson was there to greet Muhammad Ali at Havana's international airport when the former champ arrived. They were inseparable during Ali's visit.
* * *
In 1977, the year Stevenson turned down the money, Muhammad Ali was fresh off winning decisions over the likes of Ken Norton, Alfredo Evangelista, and Earnie Shavers. The following year, he would be defeated by lightly regarded Leon Spinks.
Ali would be 35 years old, with his skills rapidly in decline, at the time Stevenson would have challenged him for the heavyweight title.
By contrast, Teófilo Steveson was 25 years old, at the height of his powers. Stevenson could have quickly dominated the heavyweight division had he turned professional. Given Stevenson's poise, size, and ability, it's hard to imagine favoring any pro heavyweight of the era against what Stevenson brought into the ring.
To look at photographs of Stevenson post Montreal is to look at a modern, massive heavyweight transported back in time. He has the height and physique of a Lennox Lewis with the footwork of someone several weight classes beneath him. Boxing had never seen anything like Stevenson, entering the ring with an elegant leg rising over the top rope. Perhaps even more lethal than the power in his right hand was the speed with which he could deliver it. Had Ali fought the Cuban, a fading but crafty champ would have met a new kind of heavyweight at the peak of his powers. Ali would have brought all the experience and punishment he'd earned in wars against Norton, Frazier, Chuvalo, Terrell, and Foreman. Where could Ali look to solve Stevenson in the ring? What did he have left in his tank to use against a force like Cuba's greatest champion?
Inevitably, Ali vs Stevenson would have served as a symbolic battle between the United States and Cuba, capitalism and communism, Castro's values instilled in his boxers pitted against the values of "merchandise" boxers from the rest of the world. Sport is to war as porn is to sex. We all need our proxies. Nothing cemented Castro's argument against the US more forcefully than when his boxers rejected money to sellout their country; their loyalty was even better than beating Americans in the ring. But the weight of that loyalty is telling even when the boxers take the money. With Cuban boxers leaving in record numbers, we get a new look into the system and its failures to keep fighters.
S.L. Price, author and senior writer at Sports Illustrated, once said that while Cuba might be the worst place in the world for an athlete, it might also be the best place in the world for a spectator.
I asked Stevenson and several of the other boxers still on the island, all with their careers behind them, if they had regrets about any decision they'd made.
Stevenson gave me a hard look. A silence spread out between us while he glared.
Stevenson had only agreed to be interviewed provided that I pay him (and not the state) for the privilege. It's an odd feeling paying $150 to someone to find out their reasons for turning down tens of millions. You can choose between the gestures of taking a little money or turning down a lot, and say one defines Stevenson, but I'm more inclined to say it defines you.
Sitting there interviewing one of the most famous men in a country I wasn't allowed to be in, trying to have an honest conversation with him about his life, I had no hope of getting an answer from Stevenson that said more about him and the place he came from than what my questions said about me and where I came from.
Stevenson was a heavy smoker late in life, but he pleaded that I not film him while smoking—he didn't want children to see him engaged in a bad habit. I agreed to not film, but mildly resented that he considered his smoking breaks to count against our agreed 75 minutes of interview time.
"Don't let the children see the champ smoking. I know for a journalist this is just the kind of thing you love to show about someone like me, but it does harm for others. I am not proud of this. It is not me being seen as a hypocrite that worries me. Just that kids would do something so stupid as this."
I offered him one of my cigarettes.
"What is this?" he asked suspiciously.
"You want Teófilo Stevenson to smoke American Spirit? Why did I ever let you into my house?"
* * *
I interviewed Stevenson in the early morning, but he was already noticeably intoxicated. He drank vodka from a water bottle for the duration of our conversation and toyed with my translator mixing up his Spanish with remarkably strange and amusing segues into Russian and English. He returned again and again to Michael Jackson as a subject of fascination.
At 59, he was still an imposing physical presence. When he locked the gate behind us with a padlock just before we stepped inside his house, I felt fear. Many Habaneros had mentioned scaling his fence to escape Stevenson and his antics when drunk. There were rumors he had a pistol on the premises, given to him as a gift from Fidel.
* * *
"Do I look like I regret any decision I've made?" Stevenson asked me.
He took a long drink from his bottle and smiled. The translator I'd hired, a close personal friend of Stevenson's, gave me a hard look of his own. There was a great deal of reluctance on his part to reveal this side of his friend to the world.
"My friend," Stevenson began, clearing his throat unsuccessfully, "I have no regrets. I am the happiest man in the world. And our time is up. I hope you got what you were looking for."
Brin-Jonathan Butler has written for the Toronto Quarterly, the Rumpus, Annalemma Magazine, Fight Hype, and The New York Times. His forthcoming documentary Split Decision chronciles Cuban boxer Guillermo Rigondeaux's journey to America.
The Classical is an independent sports website. We make no attempt to be comprehensive, or even to offer a reliable guide to the world of sport at any given moment. We are not a smarter version of what you can find elsewhere. We're not the media. We are a never-ending, wide-ranging conversation between writers and readers about baseball, basketball, soccer, football, fighting, and anything else in the sports world we consider compelling. This site delivers fresh essays and reporting daily, along with several regular columns, a blog, and a considerate, intelligent community for talking about sports.