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<i>Steve Jobs</i> May Be About The Apple Guru, But Aaron Sorkin Is The Real StarThe trick to enjoying an Aaron Sorkin project is to never take it as seriously as he does. The creator of The West Wing and The Newsroom and the Oscar-winning screenwriter of The Social Network doesn’t write dialogue—he stages showy talk-fests that are meant to either show off how smart his characte...

Grierson & Leitch's 2014 In Review: The Best Forgotten Performances Yes, most people have already written their Top 10 movie lists for 2014. We're saving ours for the last week of the year, but while we wait for this full, rich, and weird movie year to end, we're going to start looking back at certain highlights. Today, it's our favorite forgotten performanc...

Time Is Not A Flat Circle: <em>X-Men: Days Of Future Past</em>, Reviewed1. X-Men: Days of Future Past feels like one of those special-edition comic books that takes all the characters we know and love, drops them in some sort of parallel universe (so the storyline's ramifications don't affect the current canon timeline), and shakes up both the plot and those characters ...

Cruelty Unchained. <em>Twelve Years A Slave</em>, Reviewed.

1. Twelve Years a Slave is a devastating movie experience, one that will leave you shaking with anger. This is not an attempt to shed new light on the shame of slavery, or, heaven forbid, a winky postmodern re-imagining of slavery as a self-referential cinematic revenge fantasy. (After seeing Twelve...

The 16 Fall Movies You Should Be Excited About: A Guide

Labor Day is the signpost every year that the sugary summer junk is behind us and that the nutritious square meal of awards season has finally arrived. That's the theory, anyway: In actuality, summer movies like Before Midnight and Fruitvale Station will be as well-received as any Oscar bait, and th...

It Feels Like The First Time—Almost. <i>Prometheus</i>, Reviewed.

Prequels may be Hollywood's latest gimmick to repackage old franchises as new movies, but they have one definite advantage over traditional sequels. Whereas parts two, three, four, etc., of a series usually find the filmmakers coming up with plots that move further and further away from the story (a...